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The Archives

Below, you will find links to our prior E-mails of the Week, with the listings based upon the question asked in a given E-mail:

A Hot Script
A Hundred Thousand Dollars For Your Thoughts
A Little Art Goes A Long Way
A Little Offer Goes A Long Way
A Little Screenplay Knowledge Is A Dangerous Thing
All "Packaged Up" and Nowhere to Go
A "Point" about Producers
A "Moving" Screenplay Idea
A New Genre: "Horrorible" Films
A "Perspective Client"
Attention to Tension"
"Arc Enemies"
A Short Long Film
A Writing-Watching Way
Absent Agents
Advertisaphobia

Allegorical Screenplay

An Underhanded Question?
An Unimpressive Message
"Annapolis": Nothing New In The Navy
"Anti-betrayal Antidote
"A "Single-faceted" Script
Avoiding the Avoiders of Honesty

"Boring" Through Films
"Bee-ing" Real
(The) Business of Screenwriting

Camera angle direction in scripts - Is that okay to do?
"Cat-watching"
Christmas Cheer Up 'Cause It Won't Be Christmas Much Longer
Christmas Specials
"Cinderella Man" - Too Much Goodness Goes a Long Way
Co-dependent No More Screenwriters
Comparing Yourself To More "Successful" Screenwriters
Competition: Getting The Call (or Chirp)
"Con" is in "Contest"
(The) Constant Message
Contracts: Emotional Survival When They Are Broken
"Cornering" The Script Market
Coverages: Recovering From A Harsh One
Co-writing: Not Always Easy
Credits: Getting The Write Credit
Creditors At My Door: What do I do?
Critics: Everybody's a Critic These Days
Crossing The "Hollywood Boundary"
Cutting: How Do I Know What To Cut?

Dealing with the Big Deal

"Derailed": Can This Novel Be Turned Into A Thriller?

Description - How Much Do You Use?
Description Isn't Everything
Developing Your Script
Dialogue - How do you write good dialogue?
Dialoguing about Dialogue
Don't "Fade" Out Until The Miracle Happens
Don't Fight Writing About Fighting
Don't Get Your Treatment Pitched Right Out The Door You Want To Get Your Foot In

Easter: Is That A Good Setting For A Movie?
Ending the "Ending" Problem
Endless Holiday
End The Loose End
English as a Second Screenplay
Escript
"Eternal Sunshine of the Spotless Mind" as a Worthy Oscar Winner
"Everything but the Kitchen Succinct
Exactly Speaking
Exceptionally Talented Screenwriter

Finishphobiacs
Fifty Ways to Leave Your Producer
"Filmula" - A look At "Firewall"
Foggy Writing

Genres - Is it easier to write a comedy than a drama?
Getting It Together
Getting Unstuck
Goals - Setting Goals to Keep Directed With Your Writing
"Golden Globe Trotting"
"Good Ol' Screenplay"

Hack Writing - How To Deal With It?
"Hallowee!"
Holidays: Getting Through Them
Horror: Those Good Ol' Horror Days
Horror-ible Script
"Hot" Screenwriter
How do I Write a "Nonboring" Script?
How do I write when I don’t want to write?
How do you come up with a good idea for a screenplay?
How Do You Write Funny?
Hurry Up And Get Tense

Investing In Yourself
Irresponsible Responses
It's Critical to Have a Little Criticism Now and Then (Although We Usually Want it More Then than Now)
It's the Story, Morning Glory
I've Been Working On The Screenplay All The Live Long Day

Keeping Your Screenplay Afloat

"Ladder 49": The Missing Ladder
"Liar, Liar, Scripts on Fire
Loglines - What should a good logline look like?
Loved It

Making Sure The Money Is Good
Memoirs of a Geisha - "They Lived Unhappily Ever After"
Merrily We Write Along
Money-making Screenplay
Motivation Agitation

Movie Mistakes

Mr. Discouraged - How do I keep going?

Networking - When Nothing Seems To Be Happening
Nice Screenwriters Finish Last
Nobody Can Cut You Down
No Just One Way
Non-Sufficient Producer Funds
No "Write of Way"

Olympic Oration
One Screenplay Only
"One Thing-king"
Overwhelm: Avoiding the Big "O"

Page Counting
Pass The Script Please
Perfect Script - Striving for the Impossible

Pitch meetings - Do you have any advice on how to get through one?
Plot Twist - What are they talking about?

Polishing - When Do I Know When To Stop?
Positively Neutral
Pretzel Premise
Prima Donna Screenplay

Producer Pace
Producers - Getting Along With Them
Producers - Getting Your Money
Producer-watching

Rejecting Rejection
Rejection - Dealing With It
Rejection - RSVP Or End Up On My List!
Relaxed Persistence Or Persistent Relaxation
Remakes - Make it Again, Sam
Rewriting without the "re"
Rules of Disengagement
"Run Away Jury" - A Commentary

"Salefishing"
"Sank" You, Sanctuary
Saving Yourself from the "Crossing Guard"
"Saw 2": Did You See What I "Saw," Too?
Scene Writing - The Scene's the Thing
Schlocky Balboa

Screenplay ideas - How do you think of a really great idea?

Screenplays - How to sustain interest and quality from beginning to end
Screenplays - The pace, can you elaborate?
Screenplay Without End

Screenwriter in the Hole!
Screenwriters' Survival - Staying in the Business
Screenwriters' Survival - Dealing With The Letdown After Finishing A Script

Screenwriting for Producers - Do you have any advice?
Screenwriting from the Home Row
Screenwriting - Taking It Seriously
Screenwriting or Weightlifting - Which One to Choose?
Screenwriting Without Being "Knocked" Around
Scribe and Deliver
Script length - How many pages should a script have?
Script Surgery
Secret Tricks to Getting Your Work Seen
Self Writing
Seminars and Networking: "Somewhere Over the Hollywood Sign"
Semi-script

Showing your work - Any advice about choosing the right companies?

Sick and Writing
Something Missing This Way Doesn't Come
"Sorkin'" Your Script
Story Surgery
Stress is not Your Friend
Stressless In Hollywood
Striking Writing Out of Your Life
Strugglers' Alley
Stuck in Los Angles (or Anwhere Else)
Submitting Scripts - Should I or shouldn't I?
Success - That Sickening Feeling of Success?
"Successstress"
Succinctly Saying
Surviving No Screenwriting
Synopses Synapses

"Tagging" Along
Taking Advantage of Being Taken Advantage of
Taxes or Screenwriting?
Television Scripts - How difficult is it to break into TV?
That Was It: Avoiding The Highs And Lows
The Cold Script
The Discipline of Writing a Schedule about Not Writing
The Fear of Screenplay Selling
The Good, Bad, and Adequate
The Unfinished Finished Screenplay
The "Write" to be Read
Three W's Of Getting Your Script Read
Thriller or Horror: Telling Them Apart?
Time to Write
To Send or Not to Send?
To the Victor Goes the Screenplay
Treating The "Overtreatmented"
Trying Not To Contrive
Twistin' the Script Away

"Unburning Out"

"Vertical Glibbing"

"Way" Books
Will, Abe, and John
Waiting A Script
Waiting To Hear - How do you deal with the waiting?
Waiting For A Response - The "Hole" Picture
Waiting For "Scriptdot"
Warning: Approaching the Edge

What are Rankings?
What do you look for in a good movie?
What do you look for in a good script?
What’s the difference between a good and bad script?
What’s the difference between a Story Analyst and a Script Consultant?
When Is Your Script Done? -- Finding Fade Out
When The Writing Gets Tough
"White Chicks": Some Like It Not
"Whose Dream is it, Anyway
"Why Don't They Call It A "Standcom?"
"Why Even Start When You Know All You're Going To Do Is Finish And Have To Start Again?
Why Write If I Can't Sell Anything? - Pointing Out Pointlessness
Winning Script
Wishful Selling
Wish Upon An Affirmation
Word Waiting
Working With Picky Producers

Writers' Depression
Write What Sells You
Writing Difficult Scenes
Writing Outside The Box
Writing partnership is sometimes difficult - Do you have any suggestions?
Writing problem: "Unmerrily Going Round And Round
Writing the Right Way
Writing when you don't want to write
Writing when you feel like quitting

Y (or X) Write?

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